It's a magic carpet ride
Sesame Street magazine of the 1970s put the stylized pop-psychedelic style of the TV program's animated sequences in kids' mailboxes.

Sesame Street magazine of the 1970s put the stylized pop-psychedelic style of the TV program's animated sequences in kids' mailboxes.
An excellently memorable and surreal campaign photographed by Henry Wolf for Karastan carpets.
Henry Wolf took a variety of approaches to dramatizing the American political process in his magazine design.
Henry Wolf’s work for Saks hearkened back to his days at Harper’s Bazaar and Show.
Ten years before the rise of the supermarket generic brand, Champion Papers produced these colorful generic packaging designs for a series of print advertisements.
Mid-century editorial illustration from the pages of Seventeen magazine.
An assortment of Seventeen magazine advertisements from the ’50s and ’60s.
Henry Wolf created this School of Visual Arts course announcement for his friend, photographer Melvin Sokolsky.
Comment was a promotional periodical produced by consortium of printers in the early sixties. Issue 200 included contributions from Saul Bass, Will Burtin, and Henry Wolf.
Henry Wolf’s photograph for a student architectural drawing competition.
Duane Michals photographed George Balanchine for Show magazine.
Among the ephemera in the Henry Wolf Collection are five early editions of Pentagram’s Feedback — guidebooks for globetrotting designers. Excerpts from David Hockney, Olivier Morgue and Bob Gill follow.
In the late-1960s Henry Wolf produced a number of advertisements for Olivetti, which touched on two of his favorite devices: the use of celebrity and the distortions of scale and context used to dreamlike effect.
A birth announcement illustrated by Jack Roberts (for his daughter), archived in Henry Wolf’s correspondence.
In 1958 Henry Wolf, newly appointed art director for Harper’s Bazaar, was tapped by the Advertising Typographers Association to write an essay on magazine typography for their bulletin.
Pictured: Sandy Kiersky, media director for Trahey/Wolf advertising and her fantastic eyeglasses. Click through for the full frame of this shot and pictures of their futuristic mid-century office at 477 Madison Avenue.
It surprises no one that the side of 60s design that Vignelli decides to focus on is the modularity and rigid systematization that he specialized in.